I
have always liked hard physical work. Printmaking provides for me
the challenge of combining skilled craftsmanship with aesthetic vision.
Some of the first prints were made in Europe, and used to tell stories
about the saints. As a printmaker, I feel very connected to this history
and to the tools and atmosphere of the printshop.
Stencils
are cut from paper and attached to my silk screen, or I draw directly
on the screen with an oil-based crayon. With each pass of ink on
the paper, the colors are layered onto the paper until the image
is complete. I print each stage on sheets of 100% rag paper. In
the end, they are numbered into a limited edition.
My
way of making serigraphs is simple and direct. I start with a line drawing
of my design. Then I make notes and drawings to correspond with each stage
to be printed.